Elephant in the Mirror

Teachers and Trainers all over the world use many methods and techniques to impart knowledge and skills to their pupils, especially when conveying complex and abstract concepts. The more popular as well as effective among such tools are the methods known as "Known to Unknown" and "Simple to Complex". In "known to unknown" method, the teacher or trainer starts with some concept or subject that is already known to the student or the trainee. He then develops on it and links the same to a new and more difficult concept to enable the wards to understand the unknown. In "simple to complex" method, the principle or application is started from a simpler idea and then slowly develop the wider and more complex principles or applications. Modren teaching and training methods place a lot of emphasis on using these techniques to ensure faster learning and lasting effects on the students. It is interesting to note that these methods are in use for several centuries and have wide usage and acceptance all over the world. These methods are also in use in explaining the abstract theorems, axioms and assumptions. We can find many such examples in spiritual as well as cultural writings and literature.

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One of the most important theorems of Vedic knowledge and understanding is the concept of "Parabrahma", the supreme Lord. His presence is learnt through his infinite qualities. One such quality is all-pervasiveness. The supreme Lord is believed to be present everywhere; he has occupied all the space that is known as well as beyond that. He can be present everywhere at the same time. He can be bigger than any big thing and smaller than the smallest thing that one can see, imagine or perceive. "Narayana Suktam" which is a part of Yajurveda and believed to be a appendix to "Purusha Suktam" explains this concept beautifully. Narayana Suktam is generally recited at the end of all religious procedures and offered to the supreme Lord as "Mantrapushpam", offering of flowers in the form of words. This concept of all-pervasive and omni-present Parabrahma and his infinite capacity to occupy the biggest as well as the smallest available space is one of the basic tenets of Vedic beliefs.

While it is easy to say that Parabrahma can be bigger than the biggest as well as smaller than the smallest, it is difficult to comprehend the same for many. This is explained by means of many examples. 

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Saint Purundara Dasa (1484-1564) who lived during the finest period of Vijayanagara empire in South India was a contemporary of Sage Vyasateertha and King Krishnadevaraya. He is hailed as the Pitamaha (Great-grandfather) of Karnaatic school of music. Legend has it that he has composed 4,75,000 poems (Devaranamas) in the praise of Lord, though only a few thousands are available now. His Devaranamas are in simple Kannada language and yet have succeeded in bringing the essence of Vedic and spiritual knowledge to the common man. Ugabhoga and Suladi are among many forms of compositions made by him and later followed by others in his path. 

In one of his Ugabhogas, he explains the concept of the Lord occupying the smallest place when he is bigger than the biggest known entity and extending beyond that. It is in Kannada and reads as under:

ಜಗವ ಸುತ್ತಿಹುದೆಲ್ಲ ನಿನ್ನ ಮಾಯವಯ್ಯ, 
ನಿನ್ನ ಸುತ್ತಿಹುದೆಲ್ಲ ಎನ್ನ ಮನವಯ್ಯ ।

ಜಗಕೆ ಬಲ್ಲಿದ ನೀನು, ನಿನಗೆ ಬಲ್ಲಿದ ನಾನು, 
ಮೂರು ಜಗವು ನಿನ್ನೊಳಗೆ, ನೀನು ಏನ್ನೊಳಗೆ ।

ಕರಿಯು ಕನ್ನಡಿಯಲ್ಲಿ ಅಡಗಿಪ್ಪ ತೆರನಂದಿ ಎನ್ನೊಳಗೆ ನೀನು ಅಡಗಿದೆಯೋ।
ಸಿರಿ ಪುರಂದರ ವಿಠಲ ।।

The summary of the above Ugabhoga is something like this - "The entire Universe is engulfed by your charm, but my mind is wrapped around your entire presence! You are a big presence for others due to your all pervasiveness; but I am bigger than you since I hold you in me! Just as an Elephant is captured in a small mirror held in its presence, you are present in me! (Elephant is very big but its image can be held even in a small mirror kept before it.) Purandara Vittala, The supreme Lord!

This is the submission of a pious devotee of The Lord. It is not an arrogant statement, but a humble submission. The devotee is bigger than the Lord only because he is holding the biggest possible entity (The Lord) inside him just like the image of a huge elephant in a small mirror.

This is a fine example of "Known to Unknown". In the following devaranama titled "Pillangoviaya chelva Krishnana elli noodidiri?" (Where did you see the flute playing Krishna?), Purandara Dasa expands this theorem by using the "Simple to Complex" method. The follower or devotee is thrilled by the understanding of one of the fundamental tents of the Vedic knowledge. Whether one believes in it or not, the principle and the method of its communication is indeed magnificent.   

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The Ugabhoga and Devaranama mentioned above are sung by many and recordings are available on "Youtube". The one sung by Sri Vidyabushana is very popular and can be accessed through Youtube.